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Helen Charlston - If the Fates allow (2026) [24-192]

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Helen Charlston - If the Fates allow (2026) [24-192]

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Category: Music
Total size: 1.40 GB
Added: 3 weeks ago (2025-05-23 18:33:02)

Share ratio: 15 seeders, 0 leechers
Info Hash: 0446DC473AC3B931373A7D62C79F3E0C256ED420
Last updated: 1 hour ago (2025-06-15 03:04:44)

Description:

Artist: Helen Charlston, Sounds Baroque Title: If the Fates allow - Music By Purcell and His Contemporaries Year Of Release: 2025 Label: BIS Genre: Classical Quality: FLAC (tracks) / 24bit-192kHz Total Time: 58:16 Total Size: 1.38 GB Tracklist: 1. I love and I must, Z. 382 (3:05) 2. Oedipus, Z. 583: No. 2 Music for a While (3:48) 3. Tell me, some pitying angel, Z. 196 "The Blessed Virgin’s Expostulation" (7:32) 4. The Division Viol: Divisions in D Major (5:03) 5. What a sad fate is mine, Z. 428 (3:40) 6. If music be the food of love, Z. 379c (Third Version) (4:12) 7. The fatal hour comes on apace, Z. 421 (4:04) 8. The History of Timon of Athens, The Man-Hater, Z. 632: No. 10, The Cares of Lovers (2:12) 9. The Indian Queen, Z. 630, Act III: I attempt from Love’s sickness (1:50) 10. She ventures, and he wins: Restless in thought (4:19) 11. Morlake Ground (4:43) 12. If music be the food of love, Z. 379a (First Version) (2:56) 13. Morpheus thou gentle god (5:30) 14. O Solitude, my sweetest choice, Z. 406 (5:29) On her first solo recital for BIS, Gramophone Award-winner Helen Charlston performs a selection of songs by the English composer Henry Purcell, some very well-known, others less so, as well as pieces by other composers of the period such as John Blow, John Eccles, Christopher Simpson and Daniel Purcell, Henry’s brother. Her choice focuses on songs that tell stories exploring the struggle between heart and mind: do we fall in love through reason or because fate destined it to be so? Concerning her special relationship with Purcell, Charlston explains that she finds herself making space for his songs in almost every programme she creates. She adds that his addictive music holds a power over her she cannot and does not want to escape, and this specific programme is a special acknowledgement of the fact that Purcell’s music has become an essential part of her identity as a singer. For this release, Helen Charlston is joined by the ensemble Sounds Baroque: Jonathan Manson (bass viol), William Carter (theorbo/baroque guitar) and Julian Perkins (harpsichord/organ), three musicians whose expertise and love for this music, she says, overflow in every note they play