Brahms - Complete Symphonies - Royal Concertgebouw Orchestra, John Eliot Gardine

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Brahms - Complete Symphonies - Royal Concertgebouw Orchestra, John Eliot Gardine

Artist: John Eliot Gardiner, Royal Concertgebouw Orchestra Title: Johannes Brahms: Complete Symphonies Year Of Release: 2025 Label: Deutsche Grammophon (DG) Genre: Classical Quality: 24bit-192kHz FLAC (track + booklets) Total Time: 02:38:33 Total Size: 5.00 GB Tracklist: 1. Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro (15:21) 2. Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto (8:30) 3. Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso (4:20) 4. Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro (16:07) 5. Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo (19:17) 6. Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo (8:35) 7. Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) (4:58) 8. Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito (8:57) 9. Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio (12:34) 10. Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante (8:15) 11. Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (6:39) 12. Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro (7:52) 13. Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo (11:29) 14. Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato (10:14) 15. Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso (5:48) 16. Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato (9:47) Sir John Eliot Gardiner releases his new album, on which he presents live recordings of all four Brahms Symphonies taken from a cycle of critically acclaimed concerts from Amsterdam with the Royal Concertgebouw Orchestra starting in 2021. Explaining his decision to re-record the cycle following a version on period instruments almost two decades ago, Gardiner notes: “I sensed a need and a personal challenge to build on that seminal earlier experience and to extend its findings and interpretations to/in working with a modern instrument orchestra – especially such a distinguished, flexible and immensely accomplished one as the Royal Concertgebouw Orchestra – in search of a fresh synthesis of styles and approaches.”