Stravinsky Conducts Stravinsky - Rite of Spring and Firebird (1961) [24-88]
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Stravinsky Conducts Stravinsky - Rite of Spring and Firebird (1961) [24-88]
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Category: Music
Total size: 1.25 GB
Added: 2025-04-26 00:53:01
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Info Hash: 4CF107A3362EC15B310FD0FABB13B1F0EF1869E9
Last updated: 51 minutes ago
Description:
Artist: Columbia Symphony Orchestra, Igor Stravinsky
Title: Stravinsky: Rite of Spring, The Firebird (1945 Suite)
Year Of Release: 1999
Label: Sony Classical - SS 89062
Genre: Classical
Quality: SACD rip 24bit - 88kHz + scans
Total Time: 60:53
Tracklist:
Le Sacre du Printemps (The Rite of Spring)
Part One: The Adoration of the Earth
1. Introduction
2. Auguries of Spring (Dances of the Young Girls)
3. Mock Abduction
4. Spring Khorovod (Round Dance)
5. Games of the Rival Clans
6. Procession of the Wise Elder
7. Adoration of the Earth (The Wise Elder)
8. Dance of the Earth
Part Two: The Sacrifice
9. Introduction
10. Mystical Circles of the Young Girls
11. Glorification of the Chosen One
12. The Summoning of the Ancients
13. Ritual of the Ancients
14. Sacrificial Dance (The Chosen Victim)
L’Oiseau de Feu (The Firebird Suite)
15. Introduction (Revised 1945 Version)
16. Prelude and Dance of the Firebird (Revised 1945 Version)
17. Variations (Firebird) (Revised 1945 Version)
18. Pantomime I (Revised 1945 Version)
19. Pas de deux: Firebird and Ivan Tsarevitch (Revised 1945 Version)
20. Pantomime II (Revised 1945 Version)
21. Scherzo: Dance of the Princesses (Revised 1945 Version)
22. Pantomime III (Revised 1945 Version)
23. Rondo (Corovod) (Revised 1945 Version)
24. Infernal Dance (Revised 1945 Version)
25. Lullabye (Firebird) (Revised 1945 Version)
26. Final Hymn (Revised 1945 Version)
Igor Stravinsky conducts some of his best-known works in a series of classic Columbia recordings made in the early 1960s. Like the Bernstein, self-recommending for those who enjoy this music.
Review from SA-CD.net: These recordings originate from the 1960s and the performance of “Le Sacre”, made when the composer was eighty, is generally regarding as the one by which all others are judged and is remarkable for its rhythmic drive, without any feeling of undue haste. There is sensitivity too in quieter moments like the Largo Introduction to Part II of the ballet. The 1945 revision is used for the performance of the “L’Oiseau de Feu” Suite and in both ballets, the playing of the Columbia Symphony Orchestra is marvellous. The DSD remastering has been superbly carried out and the stereo-only sound has remarkable clarity and spaciousness with the sense of a “real” orchestra being in front of the listener. Strongly recommended.
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