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Sadakazu Tabata & Groovy 6 - Smash in the Rock - 1971 (2007 Japan Edition)
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Category:Music Total size: 277.29 MB Added: 6 months ago (2025-04-10 04:42:02)
Share ratio:3 seeders, 0 leechers Info Hash:2406320F2F9ED6C1D45444A6A2086FFF6D4912D1 Last updated: 13 hours ago (2025-11-05 17:04:37)
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Description:
Genre: Progressive Rock, Psychedelic Blues-Rock
Media: CD
Country of disc (release): Japan
Year of publication: 1971 (2007)
Publisher (label): Polydor/Universal
Catalog number: PROA-87
Audio codec: FLAC (*.flac)
Rip type: tracks+.cue
Audio bitrate: lossless
Duration: 47:39
Tracklist:
01. Trouble (Leiber-Stoller) - 4:02
02. G.I. Blues (Tepper-Bennett) - 6:43
03. And Rice (Narumo) - 5:30
04. Smash (Yanagida) - 6:54
05. Love Me Tender (Presley-Matson) - 3:58
06. Moby Dick (Bonham-Jones-Page) - 4:48
07. Hideway (King) - 4:06
08. Monsieur. K (Kamayatsu) - 4:23
09. His Salad Day's (Yanagida) - 7:15
Personnel:
Hiro Yanagida - organ
Shigeru Narumo - guitar
Masaoki Terakawa - bass
Masaru Imada - piano
Sadakazu Tabata - drums
Shigeo Suzuki - bass clarinet
Katsuya Kobayashi - voice
Instrumental work of the Japanese virtuoso drummer with a group of comrades, which included the famous keyboardist Hiro Yanagida, rock guitarist Shigeru Narumo (Strawberry Path, Flied Egg, etc.), jazz bassist-sessionist Masaoki Terakawa (member of various formations of Masahiko Sato, Kohsuke Ichihara All Stars, Kuni Kawachi's group, etc.), pianist Masaru Imada (leader of the Masaru Imada Trio) and others. The album is made in a style that combines jazz (even going into Dixieland), fusion, progressive, blues-rock and everything in between these subgenres. Half of the tracks are originals written by the members of the group (mainly Yanagida and Narumo), the other half are very interesting jazz covers of non-jazz songs - from Love Me Tender and G.I. Blues to Moby Dick and Freddie King's Hideaway. The covers are imaginative, performed well and listened to with great interest. In places there were allusions to CCS. Tabata himself does not remain in the shadow of his colleagues who use traditional solo instruments – in many pieces his parts are given a lot of space both to demonstrate skill and to show off his imagination. I liked it