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Letter From Siberia 1958 FRE SUB ENG, ITA 1080p BluRay x264

Year: 1958 Country: France Director: Chris Marker Cast: Georges Rouquier IMBD: Link Language : French Subtitles : English, Italian I am writing to you from a faraway country… The most famous of commentaries begins what is perhaps the origin of the species – the modern essay film, defined essentially by the multiplicity of materials (photos, anthropological materials, images of ancient animals as well as Laika and Mishka, engravings, ritualistic performances, even animation, the constant mix of the serious and the joyous, always wondering about the encounter between the very ancient and the modern); respecting the concrete and the imaginary alike (where reality most beautifully reveals itself); with sound track and image in constant dialogue, the visual and the aural intermingling into an art of invisibility. The originality of Lettre de Sibérie was best characterized by André Bazin in a contemporary review (written only a few days before his death in 1958): “Lettre de Sibérie is an essay in the form of a cinematographic report about the reality of the Siberian past and present. Or again, adopting Vigo’s description of À propos de Nice (‘a documented point of view’), I would say: an essay documented by the film. The important word, essay, is understood in the same sense as in literature: an essay that is both historical and political, and written by a poet”. And: “The primordial element is the sonorous beauty and it is from there that the mind must leap to the image. The editing is done from ear to eye”. Which should be mentioned as one definition of a new dimension of montage. The dimensions of Yakutsk are surely perplexing; its river, called Lena, is five times broader and 50 times longer than the Seine. As the director remarks, the Soviet Union is a country that is always spoken about only in the terms of hell or paradise. This is beautifully observed in the famous repeated image where the same shot of a street corner is interpreted from three angles: the communist (mocking gently “the documentary style of Soviet social realism in which the rule was that all images, like the wife of Stalin, had to be above suspicion. Positive – Positive – Positive until infinity – something which is very strange coming from the country of the dialectic”), its antithesis or capitalist, then the neutral one, or perhaps more accurately the mock-objective. Again, Bazin sums it up best: “The single antithesis would already constitute a brilliant find, sufficient to delight the mind, but it would remain facile, like a joke: that’s when the author gives us the third commentary, impartial and meticulous, which objectively describes the unfortunate Mongol as a Yakout afflicted with a squint. And this time we are far beyond jokes and irony, because what Chris Marker just demonstrated implicitly is that objectivity is more false than the two partisan points of view, which is to say that, at least with respect to certain realities, impartiality is an illusion. The operation we have witnessed is therefore precisely dialectical, it consisted of sending three different intellectual beams to the same image and receiving their echo”. Lettre de Sibérie is an ennobled version of a travelogue, known as the most pitiful variation of the documentary: facts about a place that at first is simply non-descript gradually and almost mysteriously become the kindest of reflections about the people and the private chambers of their minds, beyond ideology. As the creative life of Chris Marker has ended, we can see that this film has kept its special position as his most famous trip: a voyage to nowhere, or more accurately to the center of the world, the very ordinariness inspires a film of strange beauty and – paradoxically being about a country full of compromises – one of the defining moments of a cinematographic world view that is uncompromising Left. (Peter von Bagh) [ About file ] Name: Letter From Siberia.Chris Marker.1958.BluRay.mkv Date: Sat, 26 Jul 2025 13:42:22 +0200 Size: 4,784,031,514 bytes (4562.407984 MiB) [ Magic ] File type: Matroska data File type: EBML file, creator matroska [ Generic infos ] Duration: 01:00:39 (3638.709 s) Container: matroska Production date: Sun, 07 Sep 2014 02:41:09 +0200 Total tracks: 3 Track nr. 1: video (V_MPEG4/ISO/AVC) {und} Track nr. 2: audio (A_MPEG/L3) {und} Track nr. 3: subtitle (S_TEXT/UTF8) {eng} Muxing library: libebml v1.3.0 + libmatroska v1.4.1 Writing application: mkvmerge v7.1.0 ('Good Love') 64bit built on Jul 27 2014 13:06:55 [ Relevant data ] Resolution: 1480 x 1080 Width: multiple of 8 Height: multiple of 8 Average DRF: 19.303908 Standard deviation: 3.946966 Std. dev. weighted mean: 3.921218 [ Video track ] Codec ID: V_MPEG4/ISO/AVC Resolution: 1480 x 1080 Frame aspect ratio: 37:27 = 1.37037 Pixel aspect ratio: 1:1 = 1 Display aspect ratio: 37:27 = 1.37037 Framerate: 24 fps Stream size: 4,637,676,681 bytes (4422.833138 MiB) Duration (bs): 01:00:39 (3638.708275 s) Bitrate (bs): 10196.314363 kbps Qf: 0.265795 [ Audio track ] Codec ID: A_MPEG/L3 Sampling frequency: 44100 Hz Channels: 2 Stream size: 145,278,431 bytes (138.548308 MiB) Bitstream type (bs): MPEG-1 Layer III Encoder (bs): LAME3.99r Frames (bs): 139,036 Duration (bs): 01:00:32 (3631.960816 s) Chunk-aligned (bs): Yes Bitrate (bs): 320 kbps CBR Sampling frequency (bs): 44100 Hz Mode (bs): joint stereo Padding (bs): Yes Emphasis (bs): none [ Video bitstream ] Bitstream type: MPEG-4 Part 10 User data: x264 | core 142 r2453 ea0ca51 | H.264/MPEG-4 AVC codec User data: Copyleft 2003-2014 | http://www.videolan.org/x264.html | cabac=1 User data: ref=4 | deblock=1:-2:-2 | analyse=0x3:0x133 | me=umh | subme=10 User data: psy=1 | psy_rd=1.00:0.00 | mixed_ref=1 | me_range=24 | chroma_me=1 User data: trellis=2 | 8x8dct=1 | cqm=0 | deadzone=21,11 | fast_pskip=0 User data: chroma_qp_offset=-2 | threads=12 | lookahead_threads=1 User data: sliced_threads=0 | slices=4 | nr=0 | decimate=0 | interlaced=0 User data: bluray_compat=1 | constrained_intra=0 | bframes=3 | b_pyramid=1 User data: b_adapt=2 | b_bias=0 | direct=3 | weightb=1 | open_gop=1 | weightp=1 User data: keyint=240 | keyint_min=1 | scenecut=40 | intra_refresh=0 User data: rc_lookahead=60 | rc=2pass | mbtree=1 | bitrate=10200 | ratetol=3.0 User data: qcomp=0.60 | qpmin=0 | qpmax=69 | qpstep=4 | cplxblur=20.0 User data: qblur=0.5 | vbv_maxrate=40000 | vbv_bufsize=30000 | nal_hrd=vbr User data: filler=0 | ip_ratio=1.40 | aq=1:1.00 SPS id: 0 Profile: High@L4.1 Num ref frames: 3 Aspect ratio: Square pixels Chroma format: YUV 4:2:0 PPS id: 0 (SPS: 0) Entropy coding type: CABAC Weighted prediction: P slices - explicit weighted prediction Weighted bipred idc: B slices - implicit weighted prediction 8x8dct: Yes Total frames: 87,329 Drop/delay frames: 0 Corrupt frames: 0 P-slices: 26070 ( 29.853 %) ###### B-slices: 60669 ( 69.472 %) ############## I-slices: 590 ( 0.676 %) SP-slices: 0 ( 0.000 %) SI-slices: 0 ( 0.000 %) [ DRF analysis ] average DRF: 19.303908 standard deviation: 3.946966 max DRF: 30 DRF=1: 8 ( 0.009 %) DRF=2: 18 ( 0.021 %) DRF=3: 39 ( 0.045 %) DRF=4: 65 ( 0.074 %) DRF=5: 69 ( 0.079 %) DRF=6: 67 ( 0.077 %) DRF=7: 448 ( 0.513 %) DRF=8: 772 ( 0.884 %) DRF=9: 569 ( 0.652 %) DRF=10: 833 ( 0.954 %) DRF=11: 1372 ( 1.571 %) DRF=12: 1706 ( 1.954 %) DRF=13: 1790 ( 2.050 %) DRF=14: 1798 ( 2.059 %) DRF=15: 1737 ( 1.989 %) DRF=16: 1581 ( 1.810 %) DRF=17: 4563 ( 5.225 %) # DRF=18: 11159 ( 12.778 %) ### DRF=19: 17466 ( 20.000 %) #### DRF=20: 15217 ( 17.425 %) ### DRF=21: 6187 ( 7.085 %) # DRF=22: 4370 ( 5.004 %) # DRF=23: 4107 ( 4.703 %) # DRF=24: 3526 ( 4.038 %) # DRF=25: 2500 ( 2.863 %) # DRF=26: 2128 ( 2.437 %) DRF=27: 1654 ( 1.894 %) DRF=28: 1080 ( 1.237 %) DRF=29: 432 ( 0.495 %) DRF=30: 49 ( 0.056 %) DRF>30: 0 ( 0.000 %) P-slices average DRF: 18.801956 P-slices std. deviation: 3.805456 P-slices max DRF: 30 B-slices average DRF: 19.552737 B-slices std. deviation: 3.968747 B-slices max DRF: 30 I-slices average DRF: 15.89661 I-slices std. deviation: 4.149064 I-slices max DRF: 26 This report was created by AVInaptic (01-11-2020) on 6-10-2025 01:11:33