Gram Parsons - Another Side of This Life [Sundazed 2000]⭐

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Gram Parsons - Another Side of This Life [Sundazed 2000]⭐

Artist: Gram Parsons Title: Another Side of This Life: The Lost Recordings of Gram Parsons, 1965-1966 Year Of Release: 2000 Label: Sundazed Music Genre: Folk, Alt-Country, Acoustic Quality: FLAC (tracks+scans) Total Time: 01:02:22 Tracklist: 01. Codine 02. Wheel of Fortune 03. Another Side of This Life 04. High Flyin' Bird 05. November Nights 06. Zah's Blues 07. Reputation 08. That's the Bag I'm In 09. Willie Jean 10. They Still Go Down 11. Pride of Man 12. The Last Thing on My Mind 13. Hey Nellie Nellie 14. She's the Woman I Love / Good Time Music 15. Brass Buttons 16. I Just Can't Take It Anymore 17. Searchin' 18. Candy Man The 18 previously unreleased, solo acoustic performances on this collection were recorded between March 1965 and December 1966. These show Parsons not as a country singer, rock singer, or even folk-rock singer, but very much as a mid-'60s folkie, in the mold of so many artists to be heard in the Greenwich Village scene. There's no straight country music in his repertoire, comprised largely of covers of songs by then-contemporary writers such as Buffy Sainte-Marie ("Codine"), Tim Hardin, Tom Paxton, and Fred Neil, along with high-caliber compositions that would be popularized by rock groups (Billy Wheeler's "High Flyin' Bird" and Hamilton Camp's "Pride of Man"). There are also five Parsons originals, a few not available elsewhere, and others recorded at other points either by himself ("Brass Buttons" and "Zah's Blues") or different performers ("November Nights," placed on an obscure single by Peter Fonda). A bit of R&B pokes out in his covers of "Searchin'" and "Candy Man." This disc is definitely of historical interest, if only to demonstrate that Parsons' roots were certainly not country-soaked, but largely indebted to '60s folk as well. As music, it's very average (though certainly not bad) mid-'60s folk, of the kind you might hear by numerous coffeehouse support acts. He sings best on the jazzy "Zah's Blues," where he seems to reach further into himself than he does on most of the other material here