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Category:Music Total size: 242.20 MB Added: 2 months ago (2025-08-19 17:35:01)
Share ratio:12 seeders, 0 leechers Info Hash:18F084B0B0623D004C54A3B63FAF5DB3694E3BD0 Last updated: 13 hours ago (2025-11-02 13:12:31)
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Description:
  Sorry Girls â Bravo! (2023)
Review:
It might be tempting to box the band into a predetermined slot after hearing something like âBreatheâ, which, upon an unfocused listen, sounds similar to most indie pop out today â an unassuming background, easy lyrics. But as the album continues, their deft songwriting and clear melodies show that theyâre never predictable: the saxophone solos on âThe Exilesâ (and âPillar of Saltâ) are more than welcome, and âEnough Is Enoughâ is a dive into country pop with a twangy rift. âIf youâre done Iâm doneâ is a piano-backed ballad diving into loneliness, and âBreatheâ, too, incorporates a hushed refrain of âStop for a second and breatheâ, a mental health-pop crossover like Cassandra Jenkinsâ meditative âHard Drive.â Bravo! might be sonically upbeat, but its lyrics concerning memory and reminiscing the past are usually dark. âParadeâ, which opens the record, is an atmospheric, quiet sequel to Sylvia Plathâs fig tree problem: âMissed opportunities, coded in memories,â Kirkpatrick sings, before repeating, âI can see the fruit thatâs fallen.â Over a twangy, sparkling beat on âUsed to Beâ, she reflects, âI used to watch angels in the outfield, thinking Iâd never need saving.â âThe Waitâ is an indictment of the past, where the narrator experiences the near-universal problem of staying up until 4am wishing sheâd done things differently. The memory motif culminates on the triumphant âPillar of Saltâ, where she sings in the refrain, âNever gonna look back again.â These songs talk to each other, making them feel tight-knit but also within the realm of the artistsâ personal growth. Kirkpatrick also sings of the dissolution of relationships: the lyrically dark âThe Exilesâ plays in mediums, unsure of a partnerâs continued involvement helps or hurts a situation, whereas a later acts as an advice column for self-prioritization, urging the listener to abandon whatâs not working in their life in exchange for âprettier things.â âSorceryâ, on the other hand, combines a glittery, haphazard beat which includes what has to be a dark barking to muse about the improbability and awe of a relationship coming to fruition. âYou and I among a million dying stars aligned⌠Itâs a weird worldâ, she sings, not dissimilar to the message of Self Esteemâs âFucking Wizardryâ or Kacey Musgravesâ âOh What a World.â Bravo! has jams aplenty. When a song isnât offering needed advice about relationships and the intricacies of life, itâs a calming listen that pokes out of the weeds as music with a clear point of view. If anything else, Sorry Girls are one of those rare bands whose reflective, honest writing feels like they reached into your psyche in order to craft songs that hit you where it hurts. God, yes, itâs a weird world. â thelineofbestfit.com
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Track List:
01 - Parade
02 - Breathe
03 - Prettier Things
04 - The Exiles
05 - Aftermath
06 - Pillar of Salt
07 - Used to Be
08 - Sorcery
09 - The Wait
10 - Enough Is Enough
11 - Other Side
12 - If You're Done I'm Done
Media Report:
Genre: dream-pop, synth-pop
Origin: Montreal, QuĂŠbec, Canada
Format: FLAC
Format/Info: Free Lossless Audio Codec
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits
Compression mode: Lossless
Writing library: libFLAC 1.3.0 (UTC 2013-05-26)
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