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Tubbing 1975 No Language WEB-DL x264

Year: 1975 Country: United States Director: Paul McCarthy Language : No Language Paul McCarthy’s art is a pitiless and satirical portrait of contemporary society. Through performance, sculpture, and video the artist has created a language that, on the one hand, winks ironically at the expressive means coined by industry and by television and, on the other, demonstrates a strong affinity for crucial moments in art history. His videos and installations reveal the accumulation typical of consumerism stimulated by industrial production, in performances that recall the tone of television soap operas and Walt Disney’s animated cartoons. In a theatrical setting that is very close to Pop Art, McCarthy creates performances that are anything but reassuring; nightmares, perversions, and repressed violence are explicated in a theatricality that resembles Expressionist canvases and the gesturalism of body art. In the 1970s, Los Angeles-based artist Paul McCarthy made visceral performances which appealed to audiences’ innermost feelings of disgust and revulsion. Using everyday materials – notably, consumable foodstuffs – such as hot dogs, ground meat, ketchup, chocolate syrup, mustard and mayonnaise, he enacted performances of consumerism in which he both ingested and expelled this potent mixture of materials. McCarthy succeeds in relaying this nausea to his audiences, both in the live moment of performance and whilst watching performance recordings. In this proposed article I consider vomiting in McCarthy's performances, and the sense of nausea felt by his audience, as an act of resistance against unthinking consumers who swallow culture whole. In other words, McCarthy employs tactics of bad taste – typically, invoking ‘low culture’ and bodily excretions – as a critical tool for activating audiences. Looking at McCarthy's performances – notably Hot Dog (1974) and Tubbing (1975) – this article looks at the urge to vomit and the will to prevent it, as a way of both alienating audiences and becoming more intimate with them. Artist Barbara Smith recalls from her experience of McCarthy's live performance Hot Dog, the sense of nausea she felt when watching him stuff numerous hot dogs into his mouth. She considered it kinder to leave the room to vomit than to do so in front of the artist, for fear that he would do the same and risk choking. In my own reflections on McCarthy's video performance Tubbing, I read his struggle to chew and digest raw meat not only as a struggle with his own body, but as indicative of his career-long interest in the politics of cultural critique; breaking it up, destroying it, or reconfiguring it into something less palatable. (Harriet Curtis) [ About file ] Name: Tubbing.Paul McCarthy.1975.WEB-DL.mkv Date: Mon, 13 Sep 2021 00:45:29 +0200 Size: 142,218,266 bytes (135.629908 MiB) [ Magic ] File type: Matroska data File type: EBML file, creator matroska [ Generic infos ] Duration: 00:27:00 (1620.497 s) Container: matroska Production date: Mon, 13 Sep 2021 00:03:50 +0200 Total tracks: 2 Track nr. 1: video (V_MPEG4/ISO/AVC) [Video Track] {eng} Track nr. 2: audio (A_AAC) [Audio Track] {eng} Muxing library: libebml v1.3.4 + libmatroska v1.4.5 Writing application: mkvmerge v9.6.0 ('Slave To Your Mind') 64bit [ Relevant data ] Resolution: 640 x 480 Width: multiple of 32 Height: multiple of 32 Average DRF: 32.822973 Standard deviation: 1.414944 Std. dev. weighted mean: 1.328576 [ Video track ] Codec ID: V_MPEG4/ISO/AVC Resolution: 640 x 480 Frame aspect ratio: 4:3 = 1.333333 Pixel aspect ratio: 1:1 = 1 Display aspect ratio: 4:3 = 1.333333 Framerate: 30 fps Stream size: 121,426,997 bytes (115.801808 MiB) Duration (bs): 00:27:00 (1620.46665 s) Bitrate (bs): 599.466811 kbps Qf: 0.065046 [ Audio track ] Codec ID: A_AAC Sampling frequency: 44100 Hz Channels: 2 Stream size: 20,281,711 bytes (19.342147 MiB) Bitstream type (bs): AAC LC (Low Complexity) Frames (bs): 69,789 Duration (bs): 00:27:00 (1620.497415 s) Chunk-aligned (bs): Yes Bitrate (bs): 100.125854 kbps VBR Sampling frequency (bs): 44100 Hz Mode (bs): 2: front-left, front-right [ Video bitstream ] Bitstream type: MPEG-4 Part 10 User data: Vimeo Encoder SPS id: 0 Profile: High@L3.1 Num ref frames: 4 Aspect ratio: Square pixels Chroma format: YUV 4:2:0 PPS id: 0 (SPS: 0) Entropy coding type: CABAC Weighted prediction: No Weighted bipred idc: B slices - implicit weighted prediction 8x8dct: Yes Total frames: 48,614 Drop/delay frames: 0 Corrupt frames: 0 P-slices: 43623 ( 89.733 %) ################## B-slices: 4362 ( 8.973 %) ## I-slices: 629 ( 1.294 %) SP-slices: 0 ( 0.000 %) SI-slices: 0 ( 0.000 %) [ DRF analysis ] average DRF: 32.822973 standard deviation: 1.414944 max DRF: 35 DRF<19: 0 ( 0.000 %) DRF=19: 5 ( 0.010 %) DRF=20: 10 ( 0.021 %) DRF=21: 15 ( 0.031 %) DRF=22: 10 ( 0.021 %) DRF=23: 164 ( 0.337 %) DRF=24: 253 ( 0.520 %) DRF=25: 14 ( 0.029 %) DRF=26: 14 ( 0.029 %) DRF=27: 37 ( 0.076 %) DRF=28: 64 ( 0.132 %) DRF=29: 391 ( 0.804 %) DRF=30: 441 ( 0.907 %) DRF=31: 3491 ( 7.181 %) # DRF=32: 10385 ( 21.362 %) #### DRF=33: 16525 ( 33.992 %) ####### DRF=34: 16783 ( 34.523 %) ####### DRF=35: 12 ( 0.025 %) DRF>35: 0 ( 0.000 %) P-slices average DRF: 32.950301 P-slices std. deviation: 1.25552 P-slices max DRF: 35 B-slices average DRF: 31.957588 B-slices std. deviation: 2.050774 B-slices max DRF: 35 I-slices average DRF: 29.993641 I-slices std. deviation: 1.386956 I-slices max DRF: 35 This report was created by AVInaptic (01-11-2020) on 6-08-2025 03:00:47